Strong Women Beautiful Men Japanese Portrait Prints From the Toledo Museum of Art

(L–R): Artists Amy Sherald, Yayoi Kusama and Georgia O'Keefe. Photograph Courtesy: Amy Davis/Baltimore Sun/Tribune News Service/Getty Images; Toshifumi Kitamura/AFP/Getty Images; Tony Vaccaro/Getty Images

If you've always taken an fine art history class or spent time in a fine arts museum, chances are you lot know a lot about the men who "defined" their mediums. As with other subjects, most of what nosotros learn about art history today yet centers on white men from Europe and, later, the United States. In reality, there are so many more artists of all genders to acquire from and appreciate.

Here, we're specifically taking a look at just some of the women who have had lasting impacts on their art forms. From some of the art world's about iconic pioneers to its most unsung heroes, these women artists all had a hand — and, in some cases, withal have a hand — in irresolute the world of fine art and how we define it.

Laura Wheeler Waring

Laura Wheeler Waring's portraits Anna Washington Derry and Alice Dunbar Nelson. Photos Courtesy: National Portrait Gallery/Wikimedia Eatables

Laura Wheeler Waring was an artist and educator who taught at Cheyney University in Pennsylvania for more than than 30 years. Subsequently studying the piece of work of painters like Cézanne and Monet while abroad, she returned to the United states of america, condign best known for her portraits of prominent Blackness Americans, many of which were painted during the Harlem Renaissance.

Cindy Sherman

Two photographs from Cindy Sherman's Untitled Motion picture Stills (1977–eighty). series. Photos Courtesy: Museum of Mod Art (MoMA)

Lensman Cindy Sherman was part of the Pictures Generation during the 1980s, and is perhaps most well known for her series of Untitled Pic Stills (1977–lxxx) — self-portraits in which Sherman "posed in the guises of various generic female person film characters, amongst them, ingénue, working girl, vamp, and lone housewife" (via MoMA). In this serial, and those that followed, Sherman used photography to question the media's influence over our individual and collective identities.

Yoko Ono

A nevertheless from the performance Cutting Piece, 1964, and a motion-picture show of the installation Half-A-Room, 1967, every bit seen at the Museum of Modern Art in New York City in 2015. Photos Courtesy: Museum of Modern Art (MoMA)

You might first remember of Yoko Ono as a musician and activist, but she's too an accomplished operation and conceptual artist. Ono was considered a pioneer in the performance fine art motion, earning the nickname the "High Priestess of the Happening".

One of her about revered works, Cut Piece, was a operation she first staged in Japan; Ono sat on stage in a nice suit and placed pair of scissors in front end of her, and, in an deed of daring vulnerability, invited audience members to come on phase and cutting away pieces of her habiliment. "Fine art is like breathing for me," Ono has said. "If I don't do it, I start to choke."

Betye Saar

Betye Saar'southward Black Girl's Window, 1969 (full and item). Photos Courtesy: Museum of Modernistic Fine art (MoMA)

Earlier becoming a printmaker and activist, Betye Saar studied blueprint and was employed equally a social worker. A printmaking elective inverse her entire career trajectory — and, in turn, part of the trajectory of art history.

Saar was part of the Black Arts Movement in the 1970s and, through painting and assemblage, critiqued institutionalized racism and the racist stereotypes white people held toward Black Americans. "To me the trick is to seduce the viewer," Saar has said. "If you can get the viewer to look at a work of fine art, then you lot might exist able to give them some sort of message."

Frida Kahlo

People wait at Frida Kahlo's 1939 painting Las Dos Fridas at the Globe Forum of Culture in 2007, which was held in Mexico. Photo Courtesy: Alejandro Acosta/AFP/Getty Images

Information technology's rare to find someone who hasn't at least heard of Frida Kahlo. A self-taught painter from Mexico, she is best known for exploring themes similar death and identity through her self-portraits. Kahlo often used bold, bright colors to create her symbol-rich works, and was regarded as one of the well-nigh influential artists of the Surrealist movement.

Yayoi Kusama

A viewer photographs within the Aftermath of Obliteration of Eternity room during a preview of the Yayoi Kusama'due south Infinity Mirrors exhibit at the Hirshhorn Museum February 21, 2017 in Washington, D.C. Photo Courtesy: Brendan Smialowski/AFP/Getty Images

Yayoi Kusama started painting at a very young age, but she's likewise known for her hyper-existent sculptures, polka dots, installations, and so much more. Similar many of her peers, Kusama embraced the counterculture of the 1960s, employing nudity in much of her piece of work. Today, she continues to create works for her indelible Mirror/Infinity rooms series, which use mirrors and lit objects to create a sense of endlessness.

Amy Sherald

Former First Lady Michelle Obama (L) and artist Amy Sherald (R) unveil Mrs. Obama'south portrait at the Smithsonian's National Portrait Gallery in Washington, D.C. on February 12, 2018. Photograph by Saul Loeb/AFP/Getty Images

Amy Sherald is an American painter and portraitist who depicts Blackness Americans, often doing everyday activities — something that became more common in portraiture writ big in the mid-19th century. Odds are that y'all recognize Sherald's work — and her signature grayscale pare tones — as she was the offset Black woman to complete a presidential portrait for the Smithsonian's National Portrait Gallery.

Georgia O'Keeffe

In 1960, Georgia O'Keeffe poses outdoors beside a piece of work from her serial, Pelvis Serial Red With Yellow in Albuquerque, New Mexico. Photograph Courtesy: Tony Vaccaro/Getty Images

Known as the mother of American modernism, you likely associate Georgia O'Keeffe with her paintings of New Mexico'due south landscapes, flowers, skulls, and, just maybe, the skyscrapers of New York City. In the 1920s, she was the start woman painter to gain the respect of the New York art earth, all past painting in her unique style.

Adrian Piper

Adrian Piper wins the Gold Lion for best creative person in Okwui Enwezor'due south biennial exhibition All the World's Futures, part of the 56th Venice Biennale in 2015. Photo Courtesy: Awakening/Getty Images

Adrian Piper became a pioneering minimalist, feminist, and conceptual artist in 1970s New York City. She used her work to question club, identity, and racial politics by demanding the audition to confront truths nearly themselves. She often challenged people on the streets of New York to guess her race, socio-economic class, and gender — all while dressed as a Black human being with a fake mustache and sunglasses, or while wearing compelling statements on her apparel.

Shirin Neshat

Shirin Neshat's poses in front of a photograph in her exhibition Our House Is on Fire at the Robert Rauschenberg Foundation in New York City in 2014. Photo Courtesy: Cem Ozdel/Anadolu Agency/Getty Images

Shirin Neshat left Iran in 1974 to report art in Los Angeles, California — before the Iran Islamic Revolution took place. She is best known for her photography, picture show, and video work, much of which explores the relationship between Islam's cultural and religious systems and women. Moreover, Neshat'south works often create a sense of solidarity and empowerment.

Jenny Holzer

Jenny Holzer standing in front end of her installation at the Guggenheim Museum. Photograph Courtesy: Marianne Barcellona/Getty Images

As a neo-conceptual artist, Jenny Holzer's piece of work focuses on words and ideas, which she puts on advertising billboards, projects onto buildings and adds to electronic displays or neon signs.

These works display phrases that human action as meditations on various concepts, such as trauma, knowledge, and hope. Ane of her more notable works, I Smell You On My Skin, makes the viewer question what kind of sentiment the judgement conveys.

Rebecca Belmore

Rebecca Belmore'due south Fringe, 2008. Photo Courtesy: Art Gallery of Ontario (Ago)

Much of Rebecca Belmore's art addresses identity and history — and, in item, houselessness and the voicelessness of the Starting time Nations People in Canada. Equally an Anishinaabekwe creative person, she works to raise awareness effectually the prejudice, violence, and attempted erasure of Indigenous North American culture. In 2005, she was the start Indigenous woman to represent Canada at the Venice Biennale.

Louise Conservative

A person looks at Louise Bourgeois' Spider. Photo Courtesy: Timothy A. Clary/AFP/Getty Images

While a prolific printmaker and painter, Louise Bourgeois is better known for her installation art and sculptures — like the spider above — which were inspired by her own experiences and memories. Throughout her career, she created revolutionary works during a time when brainchild and conceptual fine art were the main styles shaping the art globe.

Mickalene Thomas

Mickalene Thomas' A Little Taste Outside of Dearest, 2007. Photo Courtesy: Brooklyn Museum

Heavily influenced by pop culture and pop art, Mickalene Thomas often embellishes her paintings with rhinestones and uses colorful acrylic paints. In her piece of work, Thomas centers Black American women, whom she believes embody ability and femininity.

Judy Chicago

Judy Chicago'southward seminal work The Dinner Party. Photo Courtesy: Brooklyn Museum

Judy Chicago was one of the major figures within the early on Feminist Art motility. As exemplified in her iconic piece of work The Dinner Political party, her installation pieces often examine the role of women in history and culture — in the 1970s and before. While at California Land University in Fresno, Chicago founded the first feminist art program in the Us.

Augusta Roughshod

Augusta Savage with one of her sculptures in the mid-1930s. Photograph Courtesy: Andrew Herman/Archives of American Fine art/Wikimedia Commons

Augusta Vicious was an American sculptor during the Harlem Renaissance who worked toward securing equal rights for Blackness Americans in the arts. In addition to creating scenic sculptures, oftentimes of Black folks, Savage founded the Brutal Studio of Arts and crafts in Harlem in 1932, and, a few years later on, she became the first Black American elected to the National Clan of Women Painters and Sculptors in 1934.

Carolee Schneemann

Photograph Courtesy: Museum of Modern Art (MoMA)

Known for her provocative performance art practices, Carolee Schneemann is considered the progenitor of "torso fine art". (Just expect up her well-nigh famous work, Interior Scroll, and you'll meet what we mean.) She used her trunk to examine women's sensuality and liberation from the oppressive aesthetic and social conventions established by our patriarchal society.

Nan Goldin

Nan Goldin's Christmas on the Other Side, Boston, 1972. Photo Courtesy: Wikimedia Commons

Famous for her in-the-moment photography, Nan Goldin'due south work challenges traditional ability relations. In addition to documenting New York City's queer subculture post-Stonewall, Goldin explored the HIV/AIDS crunch, opioid epidemic, and LGBTQ+ bodies.

Elaine Sturtevant

Warhol's Marilyn Monroe (1967) by Elaine Sturtevant. Photo Courtesy: Ben Stanstall/AFP/Getty Images

Does this look similar an Andy Warhol to you? Well, that'south the idea! Elaine Sturtevant, who went by her last proper noun professionally, was a conceptual artist known for her inexact replicas — that is, not-quite-right copies of big-name artists' work.

Some artists and critics encouraged her efforts, while others became quite angry. Notwithstanding, Sturtevant used her works to explore the concepts of authorship, originality, and the construction of art culture.

Ruth Asawa

Various hanging sculptures past Ruth Asawa at the De Immature Museum in San Francisco. Photo Courtesy: View Pictures/Universal Images Grouping/Getty Images

During the 1960s, Ruth Asawa created increasingly circuitous wire sculptures. A San Francisco-based artist, Asawa'south terminal public commission was the Garden of Remembrance at San Francisco State University, which was created to recognize Japanese Americans who were interned during World State of war Two.

Catherine Opie

Catherine Opie attends the 2007 Guggenheim International Gala on November 8, 2007 in New York Urban center. Photo Courtesy: Shawn Ehlers/WireImage/Getty Images

Known for her studio, portrait, and landscape photography, Catherine Opie has been a photographer since the age of 9. She uses her photography to examine social norms, and, in doing so, displays various subcultures in formal portraits — but in a way that conveys power and respect by evoking traditional Renaissance portraiture.

micha cárdenas

Still from Sin Sol (No Sun) VR game. Photo Courtesy: micha cárdenas/YouTube

micha cárdenas is an artist, author, theorist, and assistant professor who won an Affect Award at the Indiecade Festival in 2020 and the Artistic Award from the Gender Justice League in 2016. She believes education is the path to liberation and uses VR and art to address global issues such as racism, gendered violence, and climate change.

Lee Krasner

Lee Krasner: Living Color exhibition at Barbican Art Gallery on May 29, 2019 in London, England. Photo Courtesy: Tristan Fewings/Getty Images for Barbican Art Gallery

Lee Krasner was an Abstract Expressionist painter who besides specialized in collaging. Her works capture a spirit of relentless reinvention, from her Cubist drawings and assemblage to her portraits and murals for the Works Progress Administration (WPA).

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